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  • The Hunger Games (2): Catching Fire (Suzanne Collins)

    When I finished reading The hunger games, I was torn. On the one hand, I wanted to know how the story went on. On the other, though, I was sad that it did go on. I wished that Suzanne Collins had wrapped up the story in one book, kind of like 1984, as one cog in the system that in the end tried to change something but didn’t succeed. Luckily, when reading the second book, it quickly became apparent that Collins did indeed have a few more tricks up her sleeve. And now I have to say that I’m relieved at her markable capability to round this massive beast up in three volumes: the second part alone was so confined that it could have easily been written into two or three books alone.

    After Katniss and Peeta came out of the Hunger Games alive, they found their world to have changed. Not only did the Capitol hate their guts and wanted to make their lives into a living hell, they found they had become the symbol of a boiling revolution. The second book is all about setting up these two plot points: pestering on the one hand, the big explosion that is due on the other.

    There’s just so much that’s going on in this world, and every character in it could easily have a book written about them, showing their point of view. Haymiss, trying to keep his two prodigies alive; Cinna, knowing that the end is nigh; Gale, leading a miner’s revolution in full-blown Guevara style… everyone is important. That’s the strength of the series: it doesn’t try to overexplain things, it just stays close to Katniss, telling everything from her perspective, so we find out things as she learns about them.

    It took a while for me to get it, though – about half a book’s worth. It’s only as the second half commences that I thought I knew where it was heading. It’s nice to get enough puzzle pieces to piece it together, but still get drawn into wrong conclusions. The story twists and turns, anything can happen, but most things you expect to happen, don’t.

    I’m eager to find out where Collins is headed with the last part. A war has now officially started, with friends in the hands of enemies. How will this go on? Obviously, District 13 will factor in what’s up next, but as it has been proven time and again: my predictions are usually wrong.

    I can’t wait!

  • Ep. 10 – The Package

    We’re past the mid point of the final season now. The end is rapidly closing in, but just like last year, I kind of get the feeling nothing’s happened yet. On the other hand, a few episodes ago, they were still kicking ass in the temple or on Flight 815 as it safely landed in LA. Where are we know? Waiting for the ass-kicking on the beach to start, I guess.

    The Episode…

    I love Jin and Sun. Especially Yunjin Kim has a soft spot with me, ever since her chilling performance in “There’s no place like home”, the season four finale. Her performance was so breath-taking, one of the best ones to date on lost, that I – since then – started wondering why we haven’t seen more of her.

    It’s funny how the roles are reversed now: in the first three seasons, Sun’s role was bigger than Jin’s, because Sun was the one being able to communicate. Now, because Jin speaks English, he’s got some more things happening to him – things he’s in the center of. Like being kidnapped by Charles Widmore, for example.

    Ever since they got back on the island, however, I have the feeling the writers have been having trouble giving Sun a satisfying story. All she does for about an entire season is follow the rest, hoping to run into Jin – not very exciting for a woman I thought had a lot of pep.

    So it’s nice to see their sidestory. A lot of past friends of ours returned: Patchy, Omar, Keamy… I wonder if the crash saved their life in the “real” timeline? I wonder if they were going to have Jin killed in LA aswell, but for a different reason? The whole secret relationship thing had me fooled; it blew my mind twice. Blame me for being naive, but it was a truly awesome feat to pull off.

    The Questions…

    The biggest reveal of the week, however, was my being right about Desmond being inside the submarine. As soon as Widmore mentioned electromagnetical pockets, I was convinced Desmond would return soon. I wonder how hey got back? The shot with Sayid in the water was priceless, by the way. I wonder if Naveen laughed his ass off at the silliness of it, and then marveled in the end that it did, in the end, look good?

    Next Week…

    Happily ever after focuses around Desmond. This raises an interesting question: will we get a flash sideways, or a flashback? I mean: I would love to find out how he ended up in Widmore’s hands, but on the other hand, the idea of a flash sideways featuring Desmond sounds awesome aswell.

    Oh, and this episode title does not sound good. I hope they don’t hurt Des. Or anyone else for that matter.

    In All…

    Yunjin Kim acting that she was shot was enough to rate this episode an A+ for me. I don’t know why, but I really felt her pain. It was nice to see how Jin ended up in the freezer, but on the other hand, it was also a bit of an anticlimax. Sayid just ran off. I’m wondering more and more how they are going to tie these flash sideways up. Time is running out, and we still don’t know what they’re there for or why we’re watching them.

    But they’re entertaining, and that’s good enough for me.

    Favourite Quote: Miles: Unless Alpert’s covered in bacon grease, I’m not sure Hurley can track anything…
    Frank: Hey. Don’t talk about bacon.

  • The Hunger Games (Suzanne Collins)

    I’m not going to lie: I’m not a big reader. Actually, I guess I have to admit I’m pretty picky about stories in general: because I’m so interested in creating them, it’s become very hard to enjoy them without thinking how I would have done it myself. Only rarely do stories make it possible for me to switch off completely. Usually, these are the stories that break some sort of boundaries and consciously sail into the grey areas – the dubious, the uncertain, the creative, the impredictable. “The Hunger Games” by Suzanne Collins is one of those.

    It already starts when the premise of the book is stated: Katniss and twenty three other teenagers from a future world named Panem get dropped in a huge arena, where only one can come out alive. The idea isn’t clever an sich: the movie Battle Royale (or just plain old gladiators) has done it before. It’s in taking this concept seriously on an emotional level that the plot starts working: you know in advance you’re going to lose all but one of the characters you’re rooting for.

    In succeeding in this, Collins manages to create a gripping, exciting story that’s so nailbitingly tense you just won’t be able to put it down. The story twists around on more than one occasion, and delivers a satisfying conclusion leading into a second part.

    I for one can’t wait to start reading the second part, even if I am a bit weary: safe for the last few chapters, The Hunger Games was so well-rounded as a story that I don’t really want it to go on. But, when looking at the premise of the game, you know that a won battle doesn’t equal a won war – and that’s where this is leading up to…

  • Alice in Wonderland

    AW_Title w-Disney_wI’m going to try and be brief about it. Mainly because I don’t think there’s all that much to be said about Alice in Wonderland (2010). That doesn’t necessarily mean that it’s a bad movie – it’s just so mediocre, that there’s very little to say. You either like it, and look over it’s little flaws, or hate it, and inflate the flaws to boiling point. I’m one of the latter people.

    Jab-ber-wock-keeeee

    The premise is simple enough – and pretty much has the American McGee idea: Alice, returning to Wonderland (now baptised “Underland”, because that’s just a smart thing that no one else ever could come up with), faces the biggest demon of all: her on insecurity. Oh, and a Jabberwockee (did I spell that right?).

    Now, with said Wockee comes the first problem the sub-par screenplay runs into: the premise is so absurd that they need to introduce it at the start of the movie in a prophey, then ram it down our throats five more times until we finally believe they would actually pull a stint like that. And the movie does not disappoint in its perseverence: a hundred minutes later, Alice is indeed dressed up as a Pevensie, and fighting that Jabberwockee. You’ve been warned, the movie seems to say. You’ve been warned.

    Sticking it to the man

    But that’s okay, apparently: Alice in Wonderland – the movie – might be the complete opposite of what the books were about, the movie at least looks good. There’s loads of colour, the constant shrinking and growing is awesome, there’s some excellent acting going on (Helena and Stephen, I’m looking at you), the art design is superb and the costumes breathtaking.

    And that’s the tone this movie (and, in general rule, Tim Burton movies) sets: an idiot came up with this story, but at least it looks good. There’s so many dramaturgical inconsistensies, and sometimes I even think I’m starting to nit pick and pull it apart too much, but who am I kidding? These things are just there. Those five characters in the opening of the movie, the ones you don’t get to know nor do you care about them, and they all get to have their asses handed to them by Alice at the end of the movie (because she learned something! and the audience won’t know unless she says it out loud! like in school!)… those characters are just there. Even though four of them shouldn’t be. But they are.

    In all…

    There you go, off you go now. Now you can watch the movie in peace, knowing what to expect. You’ll probably come knocking on my door afterwards, saying “but Bert, it wasn’t that bad”, and I’ll say that that is because I warned you. So better bring me flowers and candy instead.

  • Ep. 09 – Ab Aeterno

    For years, we’ve been yearning for the long-awaited Richard Alpert flashback. So, naturally, the expectations were through the roof. Luckily, the creators anticipated our anticipation and upped the ante: not only did we get a lot of Richard Alpert goodness, but we got a moving character story aswell.

    The Episode…

    Let’s start with the most shocking revelation: the island is a cork. It keeps evil at bay, stopping it from spreading. Interesting is, that I was so wrapped up into Richard’s emotional story, that I completely overlooked this revelation the first time around. But it is pretty important. Do we finally know what this place is all about? Is Jacob telling the truth?

    You have to hand it to Mark Pellegrino: his performance of Jacob was different than the ones we’ve had before. Before, Jacob was reassuring, sort of like a deity. This time around, though, we got to see a much rougher side to the man: he seemed devious, if not a bit treacherous, and hella pissed off. It’s interesting, and of course raises the question: who is good and who is evil? It’s hard to say, so I’m just going with it.

    Two mysteries got solved at the same time: a tidal wave (I suppose summoned by either Jacob or the Man in Black) flung the ship into the statue, breaking the stone and causing the Black Rock to land in the middle of the jungle. That is of course what makes sense: the ship is intact, whereas the statue broke down. Odd, but I’m going with it. I remembered something else at that point: when are we going to find out why no one could make babies on the island? I always figured it had something to do with the statue, but I guess I’m wrong.

    The Questions…

    This episode delivered – I don’t think it raised any questions with me. But now we know why Richard doesn’t age, and how old he is exactly. But we found out much, much more than that. We now know that there’s a reason to like him.

    Next Week…

    The Package is an episode centering around Jin and Sun. That means we will finally figure out who the watch is going to be delivered to! I wonder if they’ll see each other again, or if that will have to wait until the series finale… At any rate, I love Yunjin Kim’s performances, so I can’t wait to see Sun step out of the shadow and do something different than cry “Where’s Jin?” all the time. Poor Yunjin, completely underrated.

    Maybe we will find out what’s behind Widmore’s door next week? Could it be Desmond?

    In All…

    Richard’s connection with Isabella brought back a lot of good old start-of-series memories. I more than once thought of Desmond and Penny – that’s just how good Richard and Isabella seemed. It’s amazing how they can set something like this up out of the blue and make it look like it’s always been there. You don’t cry foul because they can’t possibly have thought this out when they introduced Richard in the third Season, because the emotions he feels just seem so real.

    If I liked Richard as a mythology character before, I like him as a human being now. His backstory was presented in such an epic, slow-moving way. Someone told me she was completely involved, which she found stupid because she knew he’d make it in the end. But isn’t that the force of true storytelling in movies? That you’re constantly living in the present?

    Favourite Quote: Ilana: He is. So, Richard, what do we do next?
    Richard: [Laughs]

  • Ep. 08 – Recon

    I’m having a bit of trouble combining school and creative writing with a personal life, so the LOST reviews are a tad late. Also, as the story starts wrapping up and more and more questions get answered, it’s getting harder to write a lot about the episodes. Which isn’t necessarily a bad thing.

    The Episode…

    Oh Sawyer, you’ve returned back to your roots. You’re no longer the security man slash husband – you’re back to good old conning people. Or are you? In the flashforward, it appears our favourite Southerner is exactly what he was in the last Season – with the exception of the sparkling love life. But now that our man has run into Kate, that’s bound to change.

    It seems that, as the season progresses, the flash sideways get consistently better. Especially this one was a perfect mirror image of the man we’ve come to know and love on the island. Even Miles was there: it seemed like the perfect reproduction of the DHARMA times. Interesting is, that they’ve shed light on the deepest of Sawyer’s psyche: he would either become a cop or a criminal. Enough said.

    But enough about Sawyer. This episode also gave us some insight in the true dynamics between Locke’s bunch of baddies. For those wondering whether Claire was under complete control of Locke – your question has been answered. As with every group of bad people, it appears that everyone’s got very diverging ideas of the end goal. Claire is just in it to get Aaron back – a goal for which she tried to kill Kate. And, as in every group of bad people, she got smacked around by the leader, survival of the fittest style.

    The Questions…

    As for the questions, I’m going to take a new approach. Every episode has a mystery set up for the next episode, so, due to lack of usable predictions this year, I’m going to smash my keyboard randomly at those.

    This week: the door on the submarine. What’s behind it? It would be awesome symbolism, à la hatch, if it would be Desmond. It would even make a bit of sense: Widmore knows that Desmond (and Penny) still have a destiny on the island, maybe he brought him (and her) back? Alan Dale said he read all his lines, and left unsatisfied about his character – but then again, Dale started hating LOST shortly after he received a guest spot, so meh.

    Next Week…

    Next week’s episode is called “Ab Aeterno” and focuses on Richard Alpert – our favourite non-aging man. It’s an episode we’ve been waiting for for a while; I expect that it’ll be very, very good.

    In All…

    At some time during Season 3, I started thinking that there was no way to possibly make Sawyer an interesting character – flashbackwise. I tend to think that the writers figured the same thing, so he was left untouched until season five. But the real revelation came in this episode: Sawyer is a man with a psychological duality; he can be either a cop or a criminal. In a way, it’s kind of like as if the writers only started to understand their own character just now.

    Favourite Quote: Charlotte: “Yes, I’m exactly like Indiana Jones.”
    Sawyer: “You got a whip?”
    Charlotte: “Maybe.”

  • Have Some Random Texts

    Have Some Random Texts

    For obvious reasons, I can’t just upload screenplays here, so here’s some prose.

    A text I wrote about the relationship between a foreign kid, his foreign tutor and the Germany they live in. I read this on stage in 2011.

    Another text for a reading, this time about a woman begging for cigarettes in front of her house.

    A screenplay for a short film that was never made. It centers around religion, love and loss. German only – sorry!

    A little text about the guy in charge of Santa at the Berliner Hauptbahnhof.

  • Ep. 07 – Dr. Linus

    Benjamin Linus must be one of the more brilliant characters ever to grace a TV show. He’s cunning, malicious, intelligent and knows how to bend the rules like heated steel. But on the other hand, he’s a senstive kid that couldn’t help some of the things that happened to him, things that changed his fate forever. He’s a victim of a loveless life, a ghost in the shell. So, in a way, you can’t help but pitying him – even if he is odious.

    The Episode…

    The interesting thing about the character, from a dramaturgical point of view, is how they could give him a satisfying end. It was my belief that Ben had done so many things over the last few seasons, that it was nearly impossible to still redeem him. But lo and behold, within forty minutes, he found his redempting without dying. And I believed it.

    It was refreshing to see Ben acting like a normal person, a motivated high school teacher, a loving son, a good friend. Sure, he still had the treachery somewhere inside him, but it was to be used for good. And this time, it did save Alex instead of costing her her life. Finally, they interact like normal people. Finally.

    I did not expect to see Charles Widmore coming back to the island – I thought that Faraday’s death in Season Five pretty much cleared all of that up: he’s a rich guy with a temperament looking for the island. But in his daughter’s love for Desmond, he saw that he had blood on his hands and redeemed himself. Apparently, I was wrong. The old geezer is back! I can’t wait to see what he’s up to.

    I loved the parts with Richard, Jack and Hurley. A normal series would (a thought I already had during the jammed gun scene in “Meet Kevin Johnson” back in Season 4) make the dynamite explode, the boat burn down and have Jack and Richard come out of the flames, action hero style. LOST will have none of that and says: “Less is more, let’s keep it cheap and have the fuse malfunction”. Great. Jack’s creepy motivation made sense backwards, I was put off by it at first but it worked in the end. Is he a believer, or am I being tricked again?

    The Questions…

    It is certain now: Richard Alpert was on the Black Rock. I wonder if we will still have a Richard flashback? I get the feeling that everything we need to know, has already been said, and the story is told. Would Richard’s story count as a flash sideways, given that it happened before Jughead? It’s complicated. It would be nice to see, as it would shed more light on Jacob and fake Locke – but I’m not sure if they’ll do it.

    Frank missed his flight because he overslept. He was probably drunk, too. Damn, I laughed hard at this. Frank rocks.

    Next Week…

    Next week’s episode is dubbed “Recon”, so it will undoubtedly be about Sawyer. Will we see Juliet again? Whose side is Sawyer really on? I’m excited, but slightly scared he’ll end up with Kate again. It looks like the action’s shifting back to the beach, back to where it all began. Wonder if that’s where the final battle will take place? And what would a final LOST battle entail?

    In All…

    I think this was the best episode of the season so far. The mythology episodes are awesome, but when the series is done with, it’s going to be the character-driven episodes I will go back to. This one was stellar, Ben’s final scene left me teary-eyed. Stunning performance by Michael Emerson.

    Welcome to the team, Ben.

    Favourite Quote: Ben: Just let me leave.
    Ilana: Where will you go?
    Ben: To Locke.
    Ilana: Why?
    Ben: Because he’s the only one who’ll have me.

  • Ep. 06 – Sundown

    If the sixth season of LOST was a movie, I’d say this is the end of act one. The good guys are defined, the bad guys are defined, now on with the middle part of the season!

    The Episode…

    Finally! I’m going to say this right away: I’m so glad they’re finally out of that temple. I wasn’t a huge fan of Dogen and Lennon – there was just way too much stuff going on for me to want to focus on them. I like them, it just wasn’t the right time. It seemed like the temple was an energy sucker – all the time spent in there amounted to nothing for me: once they had all arrived, it was just a question of getting everyone out before the shit hit the fan. Simple as that.

    I like how the writers, at some point during season four, stated that Sayid was a “bad guy”. It’s nice to see they stuck to their word, and have him run to the dark side. He will probably find redemtion in the end, but I think it’s a daring move to shove a fan favourite (not mine, by the way) in a nasty position. I think that for the first time, I’m actually engaged in Sayid: he’s not pretending anymore.

    If you hadn’t felt the dilemma through the course of the last few episodes, you’ve now officially had it thrown in your face: do you want Kate to give Aaron back to Claire, now that she’s gone totally off her rocker? I’m deciding against it, I hope Kate manages to do the right thing. But what is the right thing? In a show that’s taken six seasons to define what is good and what is evil… not an easy thing to do.

    The Questions…

    This wasn’t such a hot week for the questions. Again. I guess that’s a good thing, keeps it from getting to expectible.

    Next Week…

    Without a doubt, next week’s episode will feature a lot of Ben, the vilain I have come to know and love. Incidently, Ben is at the top of my death poll. He’s done so many nasty things that it’s hard to think of something he can do to attone for his sins. I wonder what schemes he’ll be up to in the alternative timeline?

    In All…

    Great episode, the start of something fresh. Using catch a falling star and put it in your pocket at the end was briliant – and somehow fitting. So now Sayid and Kate have joined the bad guys. I wonder if Kate only followed to observe Claire further? It’s obvious she’s not a bad person – but Bad Boy Locke certainly has his eye on her next. You know, the patricide and all.

    Favourite Quote: KEAMY: Hey, you want some eggs? I can, uh… make whatever you want. Fried, scrambled, uh… We still got that poacher? Where’s the poacher? Want poached? ‘Cause I can make you some good poached eggs.

  • Ep. 05 – Lighthouse

    I’m always a bit biased when a Jack episode is about to hit. But this time, I was curious enough what our wacky doctor would be up to in his Sideways story, that I was actually looking forward to it. Looking back, I don’t know if I’m disappointed or just annoyed that Jack doesn’t seem to have learned as much as I thought he did.

    The Episode…

    The episode focused heavily on Hurley and Jack. Hurley warned Jacob at the start, that Jack would just do his own thing and go with it, and he was without a doubt right: Jack smashed up the lighthouse mirrors, thus rendering the thing useless. It’s the ancient version of the tempest – the Dharma poison gas station – a little tidbit that gets mentioned but never explained. A shame: we’re in six seasons, up to our ears in questions, drowning in them, and we need another ancient building added to the mix?

    Apparently, Jacob condones Jack’s behaviour: Jack has to learn it all by himself. I kind of understand this, but I’ve waited five and a half seasons and he still doesn’t understand. Isn’t it time to take our hero by the hand and show him what it’s all about? Jack episodes can never calm me down, there’s something inside me that wants to slap him around the head and tell him to see reason.

    But hey, the B-side of this episode was pretty nice: we got to see creepy, creepy Claire again. She’s hitting people with axes, keeping baby squirrel bones in a crib, shows more cleavage than before and has a very, very nasty friend. She’s jumped way up in my list of interesting characters. What does this mean for Aaron? Seriously, you can’t expect Kate to give Aaron back to a mad woman – even if Kate is, well, Kate.

    The Questions…

    We got tossed a little bone this week: LOST has not forgotten about Adam and Eve. They’ve been absent for about a hundred episodes, but we know they’ll be back. I’m curious – Hurley gave the obvious answer as to how they could’ve ended up there, and Hurley is the audience’s voice… Does that mean Hurley is right, and so are we? That never happens!

    Not that many answered questions this week, unfortunately. But I do think that Hurley is the top chosen one at the moment.

    Next week…

    Sundown. A Sun episode? It would match the parallels this far with the first season centricity. But to be honest, I’d rather have them break it soon. I’m kind of missing the characters I do like: Frank, Ben, Richard… But hey, I guess Sun’s one of those. All she’s been doing is looking for Jin, maybe it’s time for her to do something else?

    In All…

    A solid episode. But I’m still not that convinced about the lighthouse. Maybe it did appear now because they were looking for it? I am starting to wish for the sideways stories to go somewhere interesting. It’s too much new information and we don’t know if it’ll ever be useful. Throw us a bone here, we know you’re going places with this, but being in the dark for about 20 minutes per episode… it’s kind of mean.